Madonna: Music Album Review | Pitchfork

By the year 2000, there were no more pages in the pop star rule book for Madonna to rip. At no point in her nearly two-decade career had her star begun to fade; 1992 Erotica it was, by Madonna’s standards, a flop, but it still peaked at number 2 and spawned two top 10 hits. She followed up with 1994’s R&B influenced bedtime stories and his single “Take a Bow,” which stayed atop the Hot 100 for seven weeks. with 1998 Light rayshe claimed she was moving away from the trappings of the pop star life and yet somehow ended up more famous and influential than ever.

Madonna’s pivot Light ray was wildly successful, its Britpop-infused entry into the world of Eastern spirituality and clean living cleverly wedded to the likes of a culture so keen on pure moods like oasis. As a rebrand, from the bratty transgression of her early career to a cool, anti-individualistic mother earth, it was almost too successful. For the first time, Madonna was on cloud nine, presiding over her pop kingdom from afar, seemingly uninterested in the whims of the modern scene. Although Light ray produced three undeniable hits: its title track, the steely, lovesick “Frozen,” and the all-time power ballad “The Power of Good-Bye,” the reserved personality that Madonna’s more serious music needed had also removed some of your personality. sense of fun

No matter: as always, Madonna had more cards to play. in the 2000s Music, the wise and recently magnanimous superstar returned to earth and, naturally, to the club. Building on the enormous success of Light ray, Music managed to maintain Madonna’s newly mature image while reinjecting her sound with fun and freedom. It wasn’t a reinvention, exactly. Instead, she Madonna proved that she could be a 42-year-old mother of two and still be as sexy, goofy and provocative as she always had been. “There’s nothing sexier than a mother: Susan Sarandon, Michelle Pfeiffer, I mean, those women are sexy,” she said. People in March 2000. “I’m in better shape than when I was 20.”

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In Music, Madonna presented her vision of world heart music. The cowgirl outfit she wore throughout this era is not tied to any prevailing country influence; instead, see it as a (slightly flashy) symbol of humility, an indication that this record is something real and vital. This was an album designed to bridge the disparate tastes of America and Europe, to act as a bridge between teen pop and sophisti-pop, mainstream and underground. At the other side of MusicMadonna infused the French twist with seedy R&B routine, reinterpreted Americana through the lens of Timbaland and Aaliyah’s distorted pop experiments, and put her spin on the clean, heartfelt ballads that Titanic soundtrack had reached the top of the charts. An album made up entirely of serious ballads and hectic club tracks, it became one of Madonna’s last global hits: a flexing of artistic muscle that stands its ground alongside her most electrifying and era-defining records. “The world is in the doldrums musically. Everything is so generic and homogenized,” she said. Billboard At the time. “If this record happens, it could mean people are ready for something different.”

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